The 2022 Atlanta Writing Workshop: March 4-5, 2022

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter successful 2016, 2017, 2018, 2019, 2020, and 2021 events in Atlanta, Writing Day Workshops is excited to announce The 2022 Atlanta Writing Workshop — an online “How to Get Published” writing event on March 4-5, 2022. (Writers are welcome to attend virtually from everywhere and anywhere.)

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2022 Atlanta Writing Workshop!

ONLINE: The 2021 ATLWW is an Online Conference to keep everyone safe, on March 4-5, 2022. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

WHAT IS IT?

This is a special two-day “How to Get Published” writing workshop on March 4-5, 2022. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Atlanta” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually. Our WDW writers conferences have helped dozens of writers find literary agent representation — see our growing list of success stories here.

This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents online to give feedback and take pitches from writers, as well. This year’s 2022 ATLWW agent & editor faculty so far includes:

  • literary agent Annie Bomke (Annie Bomke Literary)
  • literary agent Julie Stevenson (Massie & McQuilkin)
  • literary agent Abby Saul (The Lark Group)
  • literary agent Becky LeJeune (Bond Literary)
  • literary agent Ann Rose (Prospect Agency)
  • literary agent Ella Marie Shupe (Belcastro Literary)
  • literary agent Ken Sherman (Ken Sherman & Associates)
  • literary agent Charlotte Wenger (Prospect Agency)
  • literary agent Kaitlyn Johnson (Belcastro Agency)
  • literary agent Michelle Grajkowski (3 Seas Literary)
  • literary agent Weronika Janczuk (Janczuk Literary)
  • literary agent Leticia Gomez (Savvy Literary)
  • literary agent Ben Miller Callihan (Handspun Literary)
  • literary agent Lesley Sabga (The Seymour Agency)
  • literary agent Rachelle Gardner (Gardner Literary)
  • literary agent Darlene Chan (Linda Chester Literary)
  • literary agent Kirsten Aguilar (Ladderbird Literary)
  • literary agent Gordon Warnock (Fuse Literary)
  • literary agent Carlie Webber (Fuse Literary)
  • literary agent Jordan Hill (New Leaf Literary)
  • literary agent Aimee Ashcraft (Brower Literary)
  • literary agent Lori Steel (RaVen Quill Literary)
  • literary agent Michaela Whatnall (Dystel, Goderich, and Bourret)
  • literary agent Eva Scalzo (Speilburg Literary)
  • literary agent Paul Levine (Paul Levine Literary)
  • literary agent Latoya Smith (Arthouse Literary)
  • literary agent Kortney Price (Raven Quill Literary)
  • literary agent Jess Dallow (Brower Literary)
  • literary agent Savannah Brooks (Jennifer De Chiara Literary)
  • literary agent Kelly Peterson (Rees Literary)
  • literary agent Erica Bauman (Aevitas Creative Management)
  • literary agent Stephanie Kim (New Leaf Literary)
  • literary agent Amaryah Orenstein (Go Literary)
  • literary agent Rebecca Eskildsen (Writers House)
  • literary agent Paige Sisley (Cooke McDermid)
  • literary agent Stephanie Winter (P.S. Literary)
  • and possibly more agents to come.

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinators Chuck Sambuchino and Brian Klems of Writing Day Workshops.

EVENT LOCATION & DETAILS:

ONLINE: The 2022 ATLWW is an Online Conference to keep everyone safe, on March 4-5, 2022. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

THIS YEAR’S SESSIONS & WORKSHOPS (MARCH 4-5, 2022):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

FRIDAY, MARCH 4, 2022

9:30 – 10:30: TBD

10:45 – 11:45: TBD

11:45 – 1:15: Break

1:15 – 2:30: TBD

2:45 – 3:45: TBD

4:00 – 5:00: TBD

SATURDAY, MARCH 5, 2022

9:30 – 10:30: TBD

10:45 – 11:45: TBD

11:45 – 1:15: Break

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2:45 – 3:45: Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from ATLWW attendees. Bring your questions and get them answered in this popular session.

4:00 – 5:00: TBD

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

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PITCH AN AGENT OR EDITOR:

Latoya C. Smith is a literary agent with Arthouse Literary. In fiction, she seeks high-concept women’s fiction; high-concept mystery, thriller and horror, romance (contemporary, romantic suspense, cowboys, historical, LGBTQ, paranormal, sweet), comedy / romantic comedy, and young adult (no SF/F). In nonfiction, she is strictly seeking platform and market-based books in the areas of memoir, how to, advice, relationships, health, wellness, politics, current events, history, sports, pop culture, and business. Learn more about Latoya here.

Rebecca Eskildsen is a literary agent at Writers House. “I am actively growing my list, with a particular interest in middle grade, YA, and adult fiction. Across the board, I’m looking to elevate LGBTQ+ and BIPOC voices, among other underrepresented narratives. In middle grade, I’m looking for a range of fiction, from fun adventure stories to contemporary books that make kids feel seen. Mostly I want to see fresh, engaging voices, particularly narratives with a sense of humor and a strong emotional core. For YA, I’m looking for some darker themes and twisty, gripping stories, but also some lighthearted fun! Give me your ambitious “unlikable” girls (ugh – I’ll like them) and your funny, slow-burn romances. I’m looking for a more limited variety of adult books. I’d love to have my inbox full of contemporary rom coms. I’m also looking for sagas about families and/or friends, of any age or topic, and I’m looking for 20-something coming-of-age stories.” Learn more about Rebecca here.

Screen Shot 2019-07-09 at 11.51.01 PM.pngLeticia Gomez is a literary agent and the founder of Savvy Literary. At the present time, Savvy Literary Agency is interested in reviewing compelling and commercially viable book proposals and manuscripts written in English or Spanish. Fiction areas of interest: adventure, chick lit, fantasy, historical, humor, multicultural, mystery, paranormal, romance, young adult, and middle grade. Nonfiction areas of interest: advice/relationships, biography, cooking, diet, health, history/politics/current affairs, how-to, humor, lifestyle, memoir, parenting, religion/spirituality and true crime. Learn more about Leticia here.

Abby Saul is a literary agent with The Lark Group. Abby’s personal library of beloved titles runs the gamut from literary newbies and classics, to cozy mysteries, to sappy women’s fiction, to dark and twisted thrillers. Specifically, she seeks adult fiction fiction as well as adult commercial fiction (including historical fiction, women’s fiction, mysteries, and thrillers). Learn more about Abby here.

Kirsten Aguilar is a literary agent with Ladderbird Literary.  Currently, she is only looking for Adult Fiction and Nonfiction. She is not open to YA, MG or PB. Across the board, she is looking for work that represents the complexity, intersectionality and diversity of the world without tokenization. She is especially dedicated to representing writers of marginalized communities whose stories are often left out of the publishing landscape.  Across all categories, she would love to see more works-in-translation. She seeks literary fiction, commercial/upmarket fiction, thriller, and mystery. In nonfiction, she likes creative (narrative) nonfiction. Learn more about Kristen here.

Michaela Whatnall is a literary agent with Dystel, Goderich & Bourret. Their background in school and library marketing accounts for their strong interest in children’s literature, from picture books up through middle grade and young adult novels and graphic novels. In the adult fiction space, they are particularly seeking character-driven speculative fiction, sci-fi/fantasy, and literary fiction. They are also interested in nonfiction for both children and adults, especially narrative nonfiction in the areas of history, the creative arts, and lifestyle. Learn more about Michaela here.

Stephanie Kim is a literary agent with New Leaf Literary + Media. As an agent, Stephanie is focused on representing authors from diverse backgrounds with compelling stories to tell. She’s interested in narrative nonfiction (memoir, pop culture, self-help) as well as select voice-driven fiction. Some of her favorite books include Her Body and Other Parties by Carmen Maria Machado, The Color of Water by James McBride, Between the World and Me by Ta-Nehisi Coates, Exhalation by Ted Chiang, and anything by John Green. Learn more about Stephanie here.

Ben Miller-Callihan joined Handspun Literary Agency as an associate agent in 2019. He spent more than a decade teaching high school English, and is now actively building his client list. His interests include humor, young adult and middle grade novels, speculative fiction (especially decolonial science fiction and fantasy), mainstream-ish fiction a la David Mitchell and William Gibson, and anything food-related. Learn more about Ben here.

Screen Shot 2019-03-30 at 3.10.25 PM.pngErica Bauman is a literary agent with Aevitas Creative Management. Erica is currently focused on representing a wide range of authors across middle grade, young adult, and adult fiction, as well as some select narrative nonfiction projects. She is most interested in novels that straddle the line between literary and commercial, imaginative tales with a speculative twist, fearless storytellers that tackle big ideas and contemporary issues, and working with and supporting marginalized authors and stories that represent the wide range of humanity. “In adult, I gravitate towards stories that have a commercial premise and beautiful writing. I love voice-driven, witty romcoms, historical novels (especially mysteries), and light SFF and magical realism. I’m on the lookout for books starring nerds, and stories that make me laugh. Across all age ranges and genres, I’m eager to support and work with marginalized authors and stories that represent the wide range of humanity.” Learn more about Erica here.

Darlene Chan is a literary agent with Linda Chester Literary Agency. Darlene is interested in stories by and about BIPOC (Black, Indigenous, and people of color), women’s fiction, chick lit, crime fiction, YA, pop culture and books on film and the entertainment industry. Darlene is a veteran of the film industry. She served as an executive for Paramount Pictures, Walt Disney Pictures (both times under Jeffrey Katzenberg), Davis Entertainment and as an independent producer. Learn more about Darlene here.

Jordan Hill is a literary agent at New Leaf Literary. A Texas transplant, Jordan graduated from Smith College with a degree in English Language and Literature. After a year of handselling books at the Odyssey Bookshop in Massachusetts, she packed up and moved to NYC. There she found herself at a creative agency as an Account Director focusing on all things branding and marketing. She wanted to find her way back into the book world and now at New Leaf, assists Joanna Volpe in marketing, publicity campaigns, and reading queries. It is her life goal to find the perfect notebook, the perfect pair of jeans, and the perfect cheeseburger. Learn more about Jordan here.

Rachelle Gardner is a literary agent and the founder of Gardner Literary. “I represent NONFICTION books for the Christian market (CBA) as well as for the general market, and we are accepting queries for both.” She primarily seeks nonfiction writers who have a large and successful platform. She represents: next generation voices in the faith community; books about the intersection of faith and culture;  deconstructing and reconstructing faith; asking hard questions about faith; books by BIPOC authors; books that grapple with racial issues, LGBTQ+ issues, and all social issues; deeper spirituality and prayer books; books about animal conservation, animal sanctuaries, and animals that help people; feminism and women’s issues; memoirs about any of the above — must be well-written and the author should have a platform; family life — interested in really unique and/or extraordinary takes on parenting and family, whether it’s memoir or self-help; devotionals with depth, originality, and a definable audience; gift books — journals, guided journals, gifty devotionals, and other gift-type books for occasions such as graduation. Please do NOT pitch Rachelle any fiction or children’s books. Learn more about Rachelle here.

Michelle Grajkowski is a literary agent with 3 Seas Literary. She primarily represents romance, women’s fiction, young adult and middle grade fiction along with select nonfiction projects with a terrific message. She is currently looking for fantastic writers with a voice of their own. Learn more about Michelle here and the books she seeks.

Ken Sherman is President of Ken Sherman & Associates, a Los Angeles based literary agency. The company was established in 1989, and handles film, television, and book writers, as well as selling film and television rights for books and life-rights. Concerning what he seeks, Ken is a generalist, and represents adult fiction and nonfiction of all types. He does not want pitches for children’s books or novels of any kind. Learn more about Ken Sherman here.

Eva Scalzo is a Literary Agent with Speilburg Literary. In Adult Fiction, Eva represents Romance novels (all subgenres except inspirational) and Science Fiction/Fantasy novels. She also represents all subgenres of Young Adult Fiction. She is interested in submissions from diverse authors. Learn more about Eva here, as well as her specific interests and what is seeking from writers.

Amaryah Orenstein is a literary agent with Go Literary. Amaryah has always loved to read and provide (oftentimes unsolicited) editorial advice and, as a literary agent, she is thrilled to help writers bring their ideas to life. She is particularly drawn to narrative nonfiction and memoir but enjoys any book that connects the reader to its characters and evokes thought and feeling. Learn more about Amaryah here.

Kaitlyn Johnson is a literary agent with Belcastro Literary Agency. “As a Literary Agent with Belcastro Literary Agency, I am accepting submissions for Upper MG, as well as Young Adult and Adult. I’d love more LGBTQ+ storylines in all genres and ages (especially bi, ace, and trans voices!). I’m also very much looking for more main characters living with mental health issues or disability.” Kaitlyn also seeks graphic novels for all ages. She does not want picture books or nonfiction. Learn more about Kaitlyn here.

Aimee Ashcraft is a literary agent with Brower Literary. Aimee is looking for upmarket and literary fiction, specifically historical fiction, women’s fiction, and YA (all genres). She loves books that pull her in, immersing her in a world she can’t escape until the final sentence. She is looking for original voices and compelling, complex female characters. Aimee out stories that feature all-encompassing worlds and compelling female characters. She loves books that are told from an original point of view and are more addictive than a good Netflix binge. Learn more about Aimee here.

Lori Steel is a literary agent with Raven Quill Literary Agency. “For all projects, I seek stories with authentic, unforgettable voices that reflect the diverse world we inhabit, instill the possibility of hope and change, and illuminate the shared human experience. More specifically for YA, I would love to find a fresh take on fantasy tropes, contemporary stories that flip conventional scripts, unexpected historical and/or historical fantasy mash-ups that disrupt entrenched notions. I like middle grade contemporary, historical, and fantasy fiction stories that demonstrate deep understanding of readers’ age, voice, and growing awareness of themselves and the world around them is paramount. For Graphic Novels, I’m looking for writer-illustrators crafting accessible contemporary and select nonfiction stories. For Picture Books, I’m eager to find writer-illustrators who craft stories with spare text and rich art, creators who play with structure, utilize collusion to engage participation, and don’t underestimate young readers. Nonfiction stories that surprise and instill a sense of wonder are always welcome. Whimsical, lyrical, and/or humorous stories that young readers will beg to read over and over again always top the list.” Learn more about Lori here.

Lesley Sabga is a literary agent with The Seymour Agency. She is seeking: Lesley loves intricate and vivid world-building and character-driven plots. She is acquiring young adult and adult fiction. She is always down to read dark and twisty suspense or thriller featuring strong, female protagonists. She also loves curling up with a good cozy mystery. For non-fiction, Lesley would love to see more self-help, lifestyle, true crime, and pop culture submissions in her inbox. Always open to diversity, Lesley is actively looking for marginalized authors to bring into the literary world. Learn more about Lesley here.

Paige Sisley is an literary agent at CookeMcDermid Literary Management. She is seeking well-written upmarket fiction that both entertains and has something to say, and she is always on the lookout for non-fiction in the memoir, lifestyle, and health & wellness areas. In addition to managing her own list, Paige oversees CookeMcDermid clients’ film and TV rights and handles marketing and publicity for the agency. Learn more about Paige here.

Savannah Brooks is a literary agent with Jennifer De Chiara Literary. She is seeking: “I mainly represent kid-lit (PB, MG, and YA). In picture books, I’m searching for projects that teach about and celebrate different cultures and places in the world and those that tackle serious topics in really accessible ways. For MG, I learn very heavily into action-adventure, especially those based on global folklore and mythology, and I love a snarky narrator and spooky situations. In YA, I’m looking for multicultural and queer perspectives on everything from modern teen experiences to reframing classic tropes like vampires and witches. I’ve been particularly wanting to see some horror. Mostly, I’m invested in representing the diverse world in which we live and would like to see that reflected in a cast of characters. I am very selective about taking on fiction works for adult audiences, but when I do, I look for two genres: 1) contemporary novels that walk the line of being funny while still adding to a larger sociopolitical conversation, and 2) thrillers that add to a larger sociopolitical conversation (but are NOT law-enforcement focused, including FBI/CIA). I would love to hear more from marginalized voices, regardless of whether or not marginalization is a central theme.” Learn more about Savannah here.

Ann Rose is a literary agent with Prospect Agency. She is seeking all kinds of young adult fiction; she loves stories with heart & humor, strong characters that stand up for their convictions, thrillers, and stories that deal with the issues kids face today. She seeks middle grade across all genres, especially ones that push the boundaries. For adult fiction, she wants swoony romances (any level but erotica), very light sci-fi or fantasy, fresh retellings, heartwarming contemporaries, unique voices, diverse perspectives, vivid settings, and stories that explore tough topics. Learn more about Ann here.

Kelly Peterson is a literary agent with Rees Literary. Kelly seeks manuscripts in various genres within Middle Grade, Young Adult, and Adult age ranges. In Middle Grade, she loves fantasy, sci-fi, and contemporary that touches on tough issues for young readers. Her Young Adult preferences vary from contemporary to high fantasy, sci-fi (not the space kind) to paranormal (all the ghost stories, please!), and historical all the way back to rom-coms. Kelly is proud to continue to represent Adult manuscripts in romance, fantasy, and sci-fi. She is very interested in representing authors with marginalized own voices stories, witty and unique characters, pirates, witches, and dark fantasies. Learn more about Kelly here.

Annie Bomke is a literary agent with Annie Bomke Literary Agency. She represents a wide variety of adult and YA fiction and nonfiction, including commercial and literary fiction, upmarket fiction, mysteries (from hilarious cozies to gritty police procedurals and everything in between), historical fiction, women’s fiction, psychological thrillers, literary/psychological horror, self-help, business, health/diet, cookbooks, memoir, relationships, current events, psychology, and narrative nonfiction. Learn more about Annie here.

Weronika Janczuk is a literary agent with Janczuk Literary Agency (JLA). JLA represents a full range of literary works, fiction and nonfiction both, ever-hungry for smart writing and narrative, with interests that range the entire genre spectrum. “We love distinct voices, and books which hit the literary-commercial sweet spot. It is not rare for us to discover and love eclectic projects, especially those that challenge genre lines.” JLA Is seeking the following fiction genres: young adult, literary, commercial, women’s, crime, mystery, thriller, romance, science fiction, fantasy, graphic novels, and picture books (writers, illustrators). On the nonfiction side, JLA is particularly interested in hearts and minds with personal, academic, or otherwise professional experiences that have the capacity to leave impact (social, cultural, political, intellectual, practical, or otherwise). We also love projects that show healthy degrees of intelligence, research, and advancing discourse. On the narrative nonfiction side, to start: Send us philosophy, theology, psychology, history, politics, economics, journalism, (pop) science, (pop) culture, technology, business, social commentary, memoir, and humor. With regards to more practical nonfiction, we seek books that examine family, marriage, sex, health & wellness, public speaking, writing, reading, lifestyle, art, architecture, and design, as well as any form of innovative and structural how-to’s. Learn more about Weronika here.

Ella Marie Shupe is a literary agent with Belcastro Agency. In adult fiction, she is seeking: mystery, thriller, suspense, science fiction, fantasy, women’s fiction, and historical fiction. In young adult, she is seeking thriller, suspense, mystery, detective, and historical. “I am always looking for #OwnVoices authors. I love fast-paced stories that keep me on the edge of my seat.” Learn more about Ella Marie here.

Gordon Warnock is a literary agent founding partner at Fuse Literary. In nonfiction, he seeks platform-heavy authors in the categories of memoir (Adult, NA, YA, Graphic), cookbooks/Food Narrative/Food Studies,  Illustrated/Art/Photography (especially graphic nonfiction), Political and Current Events, Pop-Science, Pop-Culture (especially punk culture and geek culture), Self-Help, How-To, Humor, Pets, Business and Career. In fiction, he seeks High-Concept Suspense, Book Club Women’s Fiction,  Literary Fiction for Adults through YA, and Graphic Novels for Adults through MG. Learn more about Gordon here.

Jess Dallow is a literary agent with Brower Literary. Jess is looking for contemporary thrillers and mysteries in young adult fiction. In adult fiction, she is looking for small town romance, rom-coms, domestic suspense, and book club fiction. She would love to see diverse characters and #ownvoices within these genres. Having grown up with the same name as her favorite Sweet Valley High twin, Jess has always had a love for books, especially those that feature child psychopaths, platonic friendships between men and women, a romance that makes her heart beat faster, and serial killers. Learn more about Jess here.

Stephanie Winter is a literary agent at P.S. Literary. Stephanie is acquiring: adult, Young Adult, and Middle Grade fiction, in addition to Graphic Novels. She’s actively seeking titles with diverse and inclusive representation that offer smart, culturally aware, and enriching narratives. For young readers, Stephanie loves a good adventure story, light SFF, and STEAM topics. In the adult space, she appreciates all sorts of fiction but particularly enjoys Rom-Coms and Thrillers (located outside the home) and LGBTQ+ stories that bring joy. Stephanie also acquires select nonfiction in all age groups, with a soft spot for projects that blend illustration with information on culturally relevant topics. Learn more about Stephanie here.

Julie Stevenson is a literary agent with Massie McQuilkin Literary Agents. Julie represents literary and upmarket fiction, suspense, memoir, graphic novels, narrative nonfiction, young adult fiction, and children’s picture books. She is drawn to powerful storytelling in these categories and looks for unforgettable characters, an authorial command of voice, a strong sense of narrative tension, and stories that explore the depths of human experience, particularly the many facets of ethnicity, gender, sexual orientation, social class, social justice, and regional backgrounds. Julie specializes in editorial development of both fiction and nonfiction projects and values the creativity and collaboration of the agent-author relationship. Learn more about Julie here.

Tori Sharp is a literary agent with Jennifer De Chiara Literary Agency. She is ONLY open to middle grade novels as well as children’s graphic novels. “As a graphic novelist myself, I am eager to represent stunning, playful, diverse, and important comics for kids in elementary through high school. I love comics that are heartfelt and gestural, and I tend to like art styles that look animated and soft, but bright. I am also currently looking for upbeat middle-grade manuscripts that make readers think about the world around them in a new way—especially fantasy, high-concept fiction, and memoirs. I gravitate toward stories that are simultaneously silly and sincere. I am looking for clearly defined magic, intimate stakes, and clever twists that I won’t be able to stop thinking about.” Learn more about Tori here.

Carlisle Webber is a literary agent at Fuse Literary. Carlisle is looking for: high-concept commercial fiction in middle grade, young adult, and adult. If your book is fresh and exciting, tackles difficult topics, reads like a Shonda Rhimes show, or makes readers stay up late turning pages, she’s the agent for you. Diverse authors are encouraged to submit their fiction. Within the genres she represents, Carlisle is especially interested in stories by and about people of color; with both visible and invisible disabilities and illnesses; who are economically disadvantaged; who are gay, lesbian, bisexual, transgender, or queer; or who are members of religious minorities. Pitch her: Middle grade (any genre), Young adult (any genre), thriller, mystery, suspense, horror, women’s fiction, and popular/mainstream fiction. Learn more about Carlisle here.

Charlotte Wenger is a literary agent in the Boston area with Prospect Agency. Prior to joining Prospect, she was an associate editor at Page Street Kids, where she acquired and edited fiction and nonfiction picture books. Charlotte is drawn to children’s literature and art for all ages—board books through young adult, but especially picture books—as well as select adult nonfiction biographies and memoirs. Learn more about Charlotte here.

Kortney Price is a literary agent with Raven Quill Literary Agency. “I work primarily on children’s books — stories from board book up through young adult. My tastes in stories are pretty broad, but here’s a rundown of what I’m most excited about seeing in my inbox.  I am committed to building a list that reflects the diversity of our world and so I am passionate about diverse representation in the books I work with. I would love to see a vast array of characters and own voices writers writing them. Because of my experience working with the special needs community, I’m especially excited for books featuring all of those uniquely special brains or bodies that don’t operate like everyone else’s.” Kortney seeks all ages of children’s nonfiction and fiction, including picture book, graphic novel, early reader, middle grade, young adult. Learn more about Kortney here.

Screen Shot 2019-09-27 at 1.37.27 PMPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

Becky LeJeune is a literary agent with Bond Literary. Becky spent 5 years as an acquisitions editor at The History Press before joining Sandra at BLA in 2014. She is interested in adult and teen general fiction, horror, mystery/thriller, historical fiction, science fiction and fantasy, and cookbooks. Learn more about Becky here.

 

        More 2022 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

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PRICING:

$189 — EARLY BIRD base price for registration to the 2022 ATLWW and access to all workshops, all days. (You also get 10+ additional free pre-recorded webinars on writing and publishing.) As of late 2021, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events.  Our bigger, growing list of success stories can be seen here.

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the workshop’s former instructors. (This rate is a special event value for Atlanta Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:

  • Mystery, thriller, general fiction, literary fiction, science fiction, fantasy, romance, women’s fiction: Faculty member Tara Bailey, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 10 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Science fiction, fantasy, mystery, thriller, suspense, romance (no erotica), contemporary/mainstream fiction, literary fiction, historical fiction, young adult (including genre YA and SF/F): Faculty member Amber Royer, author and writing instructor repped by Jennie Goloboy of Donald Maass Literary Agency, will get your work in advance, critique the first 10 double-spaced pages of your story, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • More critique options forthcoming.

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the Atlanta workshop specifically.

REGISTRATION:

ONLINE: The 2022 ATLWW is an Online Conference to keep everyone safe, on March 4-5, 2022. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The ATLWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Atlanta workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)

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Thank you for your interest in the 2022 Atlanta Writing Workshop.

Get to Know an Agent in Attendance: Stephanie Kim of New Leaf Literary + Media

Stephanie Kim is a literary agent with New Leaf Literary + Media.

Stephanie is a literary agent with more than a decade of experience in publicity and marketing across the publishing, tech, and media industries. She began her career as an assistant publicist at William Morrow/HarperCollins where she cut her teeth on high-profile campaigns for Neil Gaiman, Laura Lippman, Wiley Cash, and many others. At Houghton Mifflin Harcourt, Stephanie led publicity for three consecutive #1 New York Times bestsellers: What If? and Thing Explainer by xkcd creator Randall Munroe, and Tools of Titans by Tim Ferriss. Some additional highlights include working on Gabourey Sidibe’s memoir This Is Just My Face, Chinelo Okparanta’s Lambda Literary award-winning debut novel Under the Udala Trees, and comic artist Ariel Shrag’s quirky, irreverent coming-of-age love story, Adam.

As an agent, Stephanie is focused on representing authors from diverse backgrounds with compelling stories to tell. She’s interested in narrative nonfiction (memoir, pop culture, self-help) as well as select voice-driven fiction.

Some of her favorite books include Her Body and Other Parties by Carmen Maria Machado, The Color of Water by James McBride, Between the World and Me by Ta-Nehisi Coates, Exhalation by Ted Chiang, and anything by John Green.

Stephanie is based in the Los Angeles area. In her free time, she co-hosts rePEAK — a podcast exploring remakes, reboots, and revivals — where she rants about celebrity gossip, book-to-film adaptations, and all things pop culture.

Get to Know an Agent in Attendance: Aimee Ashcraft of Brower Literary

Aimee Ashcraft is a literary agent with Brower Literary.

Aimee is looking for upmarket and literary fiction, specifically historical fiction, women’s fiction, and YA (all genres). She loves books that pull her in, immersing her in a world she can’t escape until the final sentence. She is looking for original voices and compelling, complex female characters.

Aimee has loved books since the days of sneakily reading under her desk in elementary school. Thankfully, reading is no longer a punishable offense, and she is busy seeking out stories that feature all-encompassing worlds and compelling female characters. She loves books that are told from an original point of view and are more addictive than a good Netflix binge. Aimee received her BA from Transylvania University and her MA from NYU. She is now based in New York City and is thrilled to be a part of Brower Literary and Management.

Get to Know an Agent in Attendance: Michelle Grajkowski of 3 Seas Literary

Michelle Grajkowski is a literary agent with 3 Seas Literary.

From the moment Michelle Grajkowski first opened the doors to the 3 Seas Literary Agency in August of 2000, she has been living her dream. (What could be better than surrounding yourself with amazing authors and their exciting and imaginative books?) Since then, her agency has sold more than 900 books to all the major publishing houses, and has grown from one agent to three!

Michelle’s client list includes New York Times Bestselling Authors Katie MacAlister, Cathy McDavid, Kerrelyn Sparks and C.L. Wilson.

She primarily represents romance, women’s fiction, young adult and middle grade fiction along with select nonfiction projects with a terrific message. She is currently looking for fantastic writers with a voice of their own.

When not curled up with a great manuscript, Michelle loves to spend time with her husband, children and her crazy puppy who refuses to grow up.